Front endleaves: modern pencil Roman numerals i-iv in top RH corner.
+Main textblock: non-medieval black ink Arabic numerals 1-56 in top RH corner.
+Back endleaves: modern pencil Arabic numerals 57-63 in the top RH corner.
Notation (see van Dijk 1957).
Plain white sheepskin on boards, clasp lost, English work of the 14th cent. (?).
+Plain white sheepskin on boards, English.
+Turn ins mostly pared, with lapped mitres at every corner apart from tongued mitre at top corner of lower board.
+Boards 7mm thick
+Braided light brown leather endbands
+Chain-staple holes from Bodleian (top RH corner of upper board) and
Front endleaves: modern pencil Roman numerals i-iv in top RH corner.
+Front endleaves: non-medieval pencil Roman numerals i-iv in top RH corner.
Main textblock: non-medieval black ink Arabic numerals 1-56 in top RH corner.
-Back endleaves: modern pencil Arabic numerals 57-63 in the top RH corner.
Back endleaves: non-medieval pencil Arabic numerals 57-63 in top RH corner.
Notation (see van Dijk 1957).
-s. xiii2
Plain white sheepskin on boards, English.
-Turn ins mostly pared, with lapped mitres at every corner apart from tongued mitre at top corner of lower board.
-Boards 7mm thick
-Braided light brown leather endbands
-Chain-staple holes from Bodleian (top RH corner of upper board) and
Endleaves
+Front: one partial non-fragment singleton, around three quarters of the width of the upper board, preceded by a stub; followed by fragments from two different manuscripts bound as if a quire of 4 with the third leaf a stub
+Back: the final leaf of the last quire is blank; followed by three fragment folios rotated 90 degrees and folded in half as if in a quire of 6; followed by a singleton and a stub, between which sits a small loose piece of parchment.
+Sewing: Sewn at four sewing stations (measured in mm): 5, 35, 90, 135, 185 from the top of the spine.
+Boards: Wooden boards around 7mm thick, including cover. The sewing supports enter the boards through tunnels in their spine edge. Boards are bevelled and do not protrude beyond the bookblock.
+Endbands: Braided light brown leather endbands.
+Cover: Whittawed leather cover. Turn ins mostly pared, with lapped mitres at every corner apart from tongued mitre at top corner of lower board.
+Fastenings and furniture: Remains of a leather strap (brown, 16mm wide) and two nails (one with head intact) at the centre of the foredge of upper board, with corresponding hole approximately at the centre of the lower board, both for a clasp.
+Chaining: No evidence of chaining.
.D.on fol. iv verso may be an Oseney mark. In a similar hand to that of the second list is a title 'prima pars maiorum sacramentorum Hugonis de Sancto Victore', and a partly erased inscription probably implying that the volume belonged to Oseney. '......
.D.on fol. iv verso is probably an Osney mark. In a similar hand to that of the second list is a title 'prima pars maiorum sacramentorum Hugonis de Sancto Victore', and a partly erased inscription probably implying that the volume belonged to Oseney. '......
OK, fol. iv verso. Medieval binding, no chain mark. (MLGB3)
Fol. iir: Main text in red, with two-colour (green and red) initials, and black numbering in the inner margin
Fol. iiv: Rubricated initials.
Gaps left for notation
+Some faint plummet notes in an anglicana hand
+
+
Front endleaves: non-medieval pencil Roman numerals ii-vi in top RH corner.
+Main text: seventeenth-century ink Arabic numerals 1-156 in top RH corner.
+Back endleaves: non-medieval pencil Arabic numeral 157-159 in top RH corner.
+White leather on boards, clasps lost, English 15th cent. work.
+s. xv
+Endleaves: + At the front, a fragment pastedown in situ, possibly at one time wrapped around the following endleaves, but now a little distorted; followed by 8 non-fragment leaves bound as a quire, where leaves 4, 5, and 8 are stubs, with some text in ?plummet. + At the back, the final leaf of the last quire is blank; followed by a non-fragment bifolium with a wide stub, and a non-fragment pastedown in situ, these have plummet some plummet and ink text and pen trials.
+Sewing: Sewn at five sewing stations (measured in mm): 55, 110, 160, 215, 265 from the top of the spine.
+Boards: Wooden boards around 7mm thick, including cover. The sewing supports enter the boards from the outside. Boards have some bevelling and do not project beyond the bookblock.
+Endbands: Braided light brown leather endbands.
+Cover: Whittawed leather cover. Turn ins mostly pared at either board, with tongued mitres in the visible corners.
+Fastenings and furniture: Two pairs of holes, and damage to cover at foredge of upper board, with corresponding pairs of three nails and verdigris at foredge of lower board are the remains of two clasps.
+Chaining: Chain-staple holes from Bodleian (top RH corner of upper board) and
Non-medieval Arabic numerals in ink in top RH corner of recto of every folio
+Roman numerals in ink in bottom LH corner of verso of fols. 1-78.
+Roman numerals in bottom centre of verso of fols. 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 110.
White leather on boards, clasp lost, English 15th cent. work.
+Endleaves: At the front, a fragment former pastedown, now raised. At the back...?
+Sewing: Sewn at five sewing stations...
+Boards: Wooden boards, around 9mm thick, including cover. The sewing supports enter the boards from the outside. Boards have some bevelling and project?? Superfluous sewing support holes at the foredge of both boards indicates they were reversed and reused.
+Endbands: Braided light brown leather endbands.
+Cover: Whittawed leather cover. Some paring of turn ins, with lapped mitres on upper board and tongued mitres on lower board.
+Fastenings and furniture:
+Chaining: Chain-staple holes from Bodleian (top RH corner of upper board) and
Main textblock: non-medieval black ink Arabic numerals 1-56 in top RH corner.
Back endleaves: non-medieval pencil Arabic numerals 57-63 in top RH corner.
Endleaves
-Front: one partial non-fragment singleton, around three quarters of the width of the upper board, preceded by a stub; followed by fragments from two different manuscripts bound as if a quire of 4 with the third leaf a stub
-Back: the final leaf of the last quire is blank; followed by three fragment folios rotated 90 degrees and folded in half as if in a quire of 6; followed by a singleton and a stub, between which sits a small loose piece of parchment.
+Endleaves: At the front, one partial non-fragment singleton, around three quarters of the width of the upper board, preceded by a stub; followed by fragments from two different manuscripts bound as if a quire of 4 with the third leaf a stub At the back, the final leaf of the last quire is blank; followed by three fragment folios rotated 90 degrees and folded in half as if in a quire of 6; followed by a singleton and a stub, between which sits a small loose piece of parchment.
Sewing: Sewn at four sewing stations (measured in mm): 5, 35, 90, 135, 185 from the top of the spine.
Boards: Wooden boards around 7mm thick, including cover. The sewing supports enter the boards through tunnels in their spine edge. Boards are bevelled and do not protrude beyond the bookblock.
Endbands: Braided light brown leather endbands.
@@ -176,8 +174,8 @@Fol. iir: Main text in red, with two-colour (green and red) initials, and black numbering in the inner margin
Fol. iir: Main text in red, with two-colour (green and red) initials, and black numbering in the inner margin.
Fol. iiv: Rubricated initials.
Gaps left for notation
+Gaps left for notation.
Some faint plummet notes in an anglicana hand
+Some faint plummet notes in an Anglicana hand