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LuotongCheng edited this page Sep 26, 2024 · 10 revisions

Golem Ontology

The Golem Ontology aims to develop a comprehensive library of ontology modules tailored for narrative and fiction.

  • Modularization: Each ontology module is designed for reuse and easy integration.
  • Interoperability: Our ontology modules are aligned with established standards including DOLCE Lite Plus, CIDOC-CRM, and LRMoo.
  • Coverage: The library includes modules for characters, relationships, events, settings and spaces, narrative organization, and inference.

The figure below is an overview of the main classes and their relationships. GOLEM core

Each module in the library includes the following elements:

  • Diagrams: Visual representations of the ontology structure and examples for demonstration.
  • RDF and SPARQL Queries (coming soon).

References

Abbott, H. P. (2019). Narrativity. In P. Hühn et al. (Eds.), The living handbook of narratology. Hamburg University.

Bartalesi, V., Meghini, C., & Metilli, D. (2017). A conceptualisation of narratives and its expression in the CRM. International Journal of Metadata, Semantics and Ontologies, 12(1), 35-46. https://doi.org/10.1504/IJMSO.2017.10005083

Bekiari, C., Bruseker, G., Canning, E., Doerr, M., Michon, P., Ore, C.-E., Stead, S., & Velios, A. (2024, October). Conceptual reference model (CIDOC CRM), version 7.3 (Tech. rep.). CIDOC CRM-SIG.

Carroll, N. (2015). Interpretation. In The Routledge companion to philosophy of literature (pp. 302–312). Routledge.

Chaturvedi, S., Srivastava, S., Daume III, H., & Dyer, C. (2015). Modeling dynamic relationships between characters in literary novels. arXiv preprint arXiv:1511.09376. http://arxiv.org/abs/1511.09376

Ciotti, F. (2016). Toward a formal ontology for narrative. MATLIT: Materialidades da Literatura, 4(1), 29-44.

Doerr, M., Kritsotaki, A., Rousakis, Y., Hiebel, G., & Theodoridou, M. (2023, October). CRMsci: The scientific observation model (Tech. rep.). CIDOC CRM-SIG.

Jannidis, F. (2019). Character. In P. Hühn et al. (Eds.), The living handbook of narratology. Hamburg University.

Kukkonen, K. (2019). Plot. In P. Hühn et al. (Eds.), The living handbook of narratology. Hamburg University.

Lea, K. M. (1962). Italian popular comedy: A study in the commedia dell'arte, 1560–1620 with special reference to the English stage (Vol. 1). Russell & Russell.

Mika, P., & Gangemi, A. (2016). Descriptions of social relations. Benefits, 1, 14. https://doi.org/10.3390/benefits1010014

Pannach, F. (2023, July). “Orpheus came to his end by being struck by a thunderbolt”: Annotating events in mythological sequences. In Proceedings of the 17th Linguistic Annotation Workshop (LAW-XVII) (pp. 10-18).

Pannach, F. A. K. (2024). Narrative echoes across time and space.

Pannach, F., Sporleder, C., May, W., Krishnan, A., & Sewchurran, A. (2021). Of lions and Yakshis. Semantic Web, 12(2), 219-239.

Propp, V. (1968). Morphology of the folktale. University of Texas Press.

Pianzola, F. (2018). Looking at narrative as a complex system: The proteus principle. In Narrating complexity (pp. 101-122).

Pianzola, F., Acerbi, A., & Rebora, S. (2020). Cultural accumulation and improvement in online fan fiction. In CEUR Workshop Proceedings (Vol. 2723). CEUR-WS. org.

Ryan, M.-L. (2019). Space. In P. Hühn et al. (Eds.), The living handbook of narratology. Hamburg University.

Sanfilippo, E. M., & Ferrario, R. (2024). D3.1—Observations modeling: State of the art.

Schöch, C., Hinzmann, M., Röttgermann, J., Dietz, K., & Klee, A. (2022). Smart modelling for literary history. International Journal of Humanities and Arts Computing, 16(1), 78–93.

Zgoll, A., Cuperly, B., & Cöster-Gilbert, A. (2023). In search of Dumuzi: An introduction to holistic narratology. In The shape of stories (pp. 285-350). Brill.

Zgoll, C. (2020). Myths as polymorphous and polystratic Erzählstoffe. In Mythische Sphärenwechsel: Methodisch neue Zugänge zu antiken Mythen in Orient und Okzident (pp. 9-82).

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