Arcangelo Corelli - Trio Sonatas (A corpus of annotated scores) (v1.1)
This corpus of annotated MuseScore files has been created within the DCML corpus initiative and employs the DCML harmony annotation standard. It was relased together with and as part of the "workflow paper"
Hentschel, J., Moss, F. C., Neuwirth, M., & Rohrmeier, M. A. (2021). A semi-automated workflow paradigm for the distributed creation and curation of expert annotations. Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR, 262–269. https://doi.org/10.5281/ZENODO.5624417
The corpus comprises 36 Sonate a tre, divided into 149 separate movements. Together they make up for
three of the four famous cycles of 12 trio sonatas each:
| Opus | Cycle | Publication | Included |
|---|---|---|---|
| 1 | 12 sonate da chiesa | Rome 1681 | Yes |
| 2 | 12 sonate da camera | Rome 1685 | No |
| 3 | 12 sonate da chiesa | Rome 1689 | Yes |
| 4 | 12 sonate da camera | Rome 1694 | Yes |
Version 1.0 reflects the state of the dataset when finalizing chapter 4 of the workflow paper cited above.
Version 1.1 marks the moment where all 149 movements include a reviewed set of annotations that adhere to version 2.3.0 of the DCML harmony annotation standard. The metadata have not been completed yet and the data were extracted one last time with the now deprecated version 0.4.11 of the MuseScore parser ms3 for matters of completeness and homogeneity. The purpose is mainly to substantiate the claim that the "semi-annotated workflow paradigm", as it had been implemented at publication time (see the ISMIR paper cited above), can indeed be put to effective use in the creation of a large dataset. This version is, however, to be followed by a version with upgraded tabular data based on the more mature ms3 > 1.0.0.
This corpus of annotated [MuseScore](https://musescore.org/) files has been created within the [DCML corpus initiative](https://github.com/DCMLab/dcml_corpora) and employs the [DCML harmony annotation standard](https://github.com/DCMLab/standards). It was relased together with and as part of the "workflow paper"Hentschel, J., Moss, F. C., Neuwirth, M., & Rohrmeier, M. A. (2021). A semi-automated workflow paradigm for the distributed creation and curation of expert annotations. Proceedings of the 22nd International Society for Music Information Retrieval Conference, ISMIR, 262–269. https://doi.org/10.5281/ZENODO.5624417
The corpus comprises 36 Sonate a tre, divided into 149 separate movements. Together they make up for three of the four famous cycles of 12 trio sonatas each:
Opus Cycle Publication Included
1 12 sonate da chiesa Rome 1681 Yes
2 12 sonate da camera Rome 1685 No
3 12 sonate da chiesa Rome 1689 Yes
4 12 sonate da camera Rome 1694 Yes
Version 1.0 reflects the state of the dataset when finalizing chapter 4 of the workflow paper cited above.
Version 1.1 marks the moment where all 149 movements include a reviewed set of annotations that adhere to version 2.3.0 of the DCML harmony annotation standard. The metadata have not been completed yet and the data were extracted one last time with the now deprecated version 0.4.11 of the MuseScore parser ms3 for matters of completeness and homogeneity. The purpose is mainly to substantiate the claim that the "semi-annotated workflow paradigm", as it had been implemented at publication time (see the ISMIR paper cited above), can indeed be put to effective use in the creation of a large dataset. This version is, however, to be followed by a version with upgraded tabular data based on the more mature ms3 > 1.0.0.